“There is no scarcity of opportunity to make a living at what you love; there’s only scarcity of resolve to make it happen.” -Wynn Dyer
What does it mean to make something? I’ve been struggling with this most of my professional life and this can be confusing considering all the things we “make”. From Love to A Living and many in between, these are things made and depending on where you are in life, can take on disproportionate significance. On Friday morning my friend, and artist, Rachael Ashe tried to make sense of Make at CreativeMornings/Vancouver.
Years ago a mentor explained to me why he described what he does as making a photo, rather than taking a picture. It was a thought provoking conversation and one which has never left me. It also changed my self perception and how I view the work that I do. It was revelatory; the idea that a photographer makes a photo rather than takes it and with this revelation I became a maker of things, rather than a taker.
Artist Rachael Ashe is a maker. Working largely with paper she creates paperscapes of positive and negative space by carving away what has become superfluous from her canvas. More recently Rachael has produced a number of laser cuts of some of her work and if I won Lotto Max, I would have a house filled with these pieces.
More about Rachael and her work here:
More about CreativeMornings here:
I sometimes get nostalgic for places that I’ve traveled to or worked in, even places that I didn’t particularly like or connect with. I find myself nostalgic for work that I used to do because time and memory have conspired to help me forget the challenges, the disappointments, the mental, emotional or physical costs of doing the work I once did. At some point time has kind and I have been able to let go of less favourable memories and experiences instead remembering the explorations or the absurdity of certain experiences. Even though there is a body of work behind me that I can’t imagine I would ever go back to, I sometimes catch my self wondering how I could have done things better, or differently, or thinking about that time I found the coolest coffee house Las Vegas, New Mexico.
I had the chance to hear Ian Ruhter speak at two events in Vancouver last week, even getting the opportunity to shoot a few frames of him myself and it was with this in mind that I asked Ian if he ever missed shooting Snowboarding. Ian was quick to answer and it without hesitation, he said no. There was no contemplation and he went on to explain how heavily invested he is in what he is doing now. I connected with the first video he and his team produced a year ago, but their new video, When Dreams Collide, feels so much more.
When Dreams Collide is a very personal document and very revealing of it’s subjects, not only Ian, but of Photographer Chase Jarvis, Snowboarder Peter Line and Hip Hop artist Ishmael Butler. One thing I found so compelling was the sharing of such intimate details of each of their struggles to pursue their individual passions. Somehow in describing how he had to rely on his wife’s tip money to process film humanized Jarvis in a way that was truly refreshing. Struggle is humanizing, it’s humbling and I believe that it makes us stronger. Ian was asked a question at one of the discussions last week by a young photographer, just out of school, about how to make it work when you feel like you can’t afford to move forward. He was very pragmatic in his response and while others on the panel reached for pretentious answers, he talked about shooting by moon light when he first started in photography, because that’s what was available to him. Be creative, his message read to the audience, persevere, work with what you have and have access to.
The above is an image from Ian’s presentation at CreativeMornings/Vancouver.
When Dream Collide
Watch When Dreams Collide: