“Cameras in the hands of photographers with hearts can capture love – hope – passion – change lives and make the world a better place. And all it takes is 1/500th of a second.” -Eddie Adams
I struggle with my year’s best work. I tend to see my most recent work as my best. I tend to become a little bored of the work which I’ve spent too much time considering or editing. I tend not to see my photos the way others do because I see everything, not just the highlights. I will be working on my 2013 box set over the next week or two; my ten best of the year, as I see them. It’s been a pretty good year, and there should be lots to choose from, but it also feels a little like wading into murky water.
In the meantime I have collected links to Photos of the Year galleries. Photography is getting richer, and while it’s easy to find post after post predicting the long slow decline of both professional photography and photography as most people understand it, I don’t see it the same way. I am optimistic. I believe we are in a Renaissance period in which technology is fueling creativity and broadening the way we share images. There are more ways to make a photo than ever before and there are more ways to share photography than ever before. And while change has come and will continue to impact the traditional channels through which photography has been shared, the value of quality work is getting higher. It does, however, require adaptation. While Yahoo CEO Marissa Mayer made a statement early this year equating professional photography with the storage capacity one might need, the difference between professional photography and that of even the most advanced amateurs in not merely defined by the equipment or software we use. It is no more the camera that makes the photographer than it is a hammer that makes a carpenter, or a note pad that makes a reporter. Beyond risk and opportunity it is the cumulative total of experience, judgement and skill that makes any photo as much as it is the camera and this year’s best photos are a perfect illustration of this truth.
Year in Pictures
LightBox The Year In Pictures (Multiple Galleries)
LightBox The Year in 365 Pictures
The Atlantic In Focus – The Year In Photos:
Part 1: 2013 The Year In Photos January-April
Part 2: 2013 The Year In Photos May-August
Part 3: 2013 The Year In Photos September-December
Reuters Full Focus:
Best Photos of the Year
The New York Times:
2013 The Year in Pictures
2013 Year In Review
PINKBIKE’S Photos of the Year
Pictures of the Year
Photos of the Year: Best Instagrams of 2013 OMG!
Happy New Year everyone.
Photography Can Change the World
Two days ago, National Geographic launched a new page dedicated to the photography and photographers who’ve shaped the magazine. In one of the first posts, this video, The Photographers on Photography, some of the best recognized names in photojournalism, and perhaps least recognized faces, speak to the power, capacity and responsibility of photography. If you’ve ever wondered why or how a photographer can put themselves in harm’s way, or continue to shoot when a scene turns to something less savory; this short video addresses many of those questions.
The Editors at Proof describe Proof as National Geographic’s new online photography experience. Launched to engage ongoing conversations about photography, art, and journalism. In addition to featuring selections from the magazine and other publications, books, and galleries, this site will offer new avenues for our audience to get a behind-the-scenes look at the National Geographic storytelling process.
The Video: The Photographers on Photography
The Web Site: National Geographic Proof
What a fantastic find this morning on Twitter; Photojournalist Steve McCurry shooting the last roll of Kodachrome featuring faces in New York, Istanbul and India. While I will let the video, and McCurry himself, tell the story of this project I will say this is a fitting send off to a film that set the standard for decades and decades. I am ashamed to say that I have never shot a roll of Kodachrome, and I never will. By the time I was getting into photography I was largely using whatever film I could afford. I do feel that I have missed out on something special and as McCurry describes having nearly one million Kodachrome slides in his archive and their durability I wonder about the legacy and staying power of our digital archives. Somehow jpg files on a hard drive or burned to a DVD lack a certain magic. Somewhere in one of my closest is a slide case with a few hundred Kodachrome slides shot by my father on a camera identical to the camera I learned to shoot on. At some point I will have to get organized to digitize these slides before I loose the option and loose that part of my childhood.
Kodachrome isn’t just an element of our popular culture, but it was a mechanism used to record what would become our history, and indeed it did. Author Neil Sheenan suggests that “Photographs are the images of history rescued from the oblivion of mortality” and I agree. I believe that our understanding of the last one hundred years will be shaped by largely what we see in photographs the way the previous one hundred years is largely understood by what was read and perhaps the next one hundred years will in turn be understood through what we watch. Perhaps this National Geographic video is a perfect segue between these mediums.
Have a watch.
Another link I feel is worth a mention came to me from the American Photo Magazine Tumblr Blog featuring their picks for the best photo books of 2012
American Photo has also included a list of E Books with Getty Image’s Year In Focus at the top of the list. This is Getty’s 2012 showcase of highlights in photojournalism, from the Arab Spring to royal weddings and sports events and is available FREE! at iTunes. Definitely worth a look.